Jay W. Prather is more than a builder of ghost boxes—he’s a lifelong experimenter, forging devices and experiences that push the boundaries of Instrumental TransCommunication (ITC) and consciousness research. As the founder of IDC Devices, IDC Institute, and the Worldgate Project, Jay’s journey from a haunted Texas childhood to pioneering large-scale experiments is a story of grit, curiosity, and a master electrician’s knack for bending circuits to his will.

I caught up with Jay during the August 2025 filming of the Worldgate Project at Auglaize Village in Defiance, Ohio, where his passion for exploration and his no-nonsense approach to the paranormal lit up the conversation like one of his Spirit Web filaments. Over the course of our discussion, we talked about everything from haunted houses and Marine Corps rodeos to ghost boxes, photons, synchronicities, and the search for meaningful patterns hidden within extraordinary experiences.

What emerged was not simply the story of a device builder, but of a man who has spent a lifetime asking how far curiosity can take us when we are willing to test our assumptions rather than merely debate them.

Haunted Beginnings in Texas

Jay’s story begins in Vernon, Texas, near the Oklahoma border, in a sprawling old house that was as much a character as any member of his family. Expanded and modified over the years, the home eventually resembled a capital letter “I” and became the backdrop for some of the earliest experiences that would shape his view of the world.

Raised in a strict Pentecostal household—complete with pew-walking, speaking in tongues, and women in long skirts—Jay witnessed events that defied easy explanation. Beds reportedly lifted with children still in them. An aunt was chased through the house by a floating two-by-four, halted only when Jay’s grandfather hurled a Bible at it.

“We all knew it was real,” Jay says. “But you didn’t talk about it outside the house. It was forbidden.”

These encounters, cloaked in family secrecy, left a lasting impression. Within the household, such experiences were accepted as reality. Beyond it, they were rarely discussed. The tension between direct experience and religious caution would follow Jay for much of his life.

Today, some relatives still view his ITC work with skepticism or concern.

“I’ve got two Facebooks,” he jokes. “One for the family where I keep it tame, and one with the blue check mark for all things paranormal.”

The comment is delivered with a laugh, but it reflects a divide that has existed since childhood. The same curiosity that drives his experiments today was born in a home where the extraordinary seemed commonplace, yet speaking openly about it was often discouraged.

Cowboy Blood and Rodeo Days

Jay’s roots weren’t just haunted—they were rugged.

His father was a cowboy who broke horses for a living, and Jay followed in his footsteps, working ranches and embracing a lifestyle built on grit, self-reliance, and hard work. Long before he became known for building ITC devices, he was learning lessons that would stay with him throughout his life: if something breaks, you fix it; if a problem stands in your way, you figure it out; and if you get knocked down, you get back up.

That cowboy mentality carried into his years of military service, where he competed on the East Coast rodeo circuit as part of the Greater Onslow Military Rodeo Association, a group of Marine Corps officers and enlisted personnel who shared a passion for rodeo despite regulations discouraging such close association outside official duties.

Jay specialized in bull riding, taking on notoriously difficult bulls with names like Redline and Freddy Krueger.

“The Corps wasn’t happy with officers and enlisted fraternizing,” Jay recalls, “but we had cowboy blood coursing through our veins. We broke every rule to keep riding.”

The rodeo circuit became an outlet for the same competitive spirit that drove many of the participants in their military careers. The risks were real, the injuries common, and success was never guaranteed. Yet that uncertainty was part of the appeal.

Eventually, an injury sustained during the Desert Shield and Desert Storm era brought Jay’s rodeo career to an end. The physical chapter may have closed, but the mindset remained. The willingness to take a hit, learn from it, and climb back on would later define his approach to experimentation.

Looking back, it is not difficult to see the connection. Whether riding bulls, troubleshooting electrical systems, or testing unconventional theories about communication and consciousness, Jay has rarely been content to sit on the sidelines and speculate. His instinct has always been to step into the arena and find out for himself.

From Marine Corps to Master Electrician

At 17, Jay enlisted in the Marine Corps with his mother’s signature, beginning his military career as a diesel mechanic before finding his calling as a generator technician during Desert Shield and Desert Storm.

“We powered satellite vans for communication,” he explains. “There were no cell phones back then.”

Serving with the Surveillance Reconnaissance Intelligence Group, Jay learned to troubleshoot complex systems under pressure. The work demanded precision, adaptability, and an understanding of how interconnected components function together. When communications failed, there was little room for guesswork.

Those lessons followed him long after his military service ended.

After leaving the Corps, Jay became a master electrician, expanding his expertise in energy systems, circuitry, troubleshooting, and environmental conditions. Years spent diagnosing electrical problems reinforced a mindset he already possessed: every effect has a cause, and understanding a system begins with understanding how its individual parts interact.

His curiosity about the paranormal never completely disappeared. The experiences of his childhood remained in the background, waiting for the right catalyst to bring them forward again.

That catalyst arrived in the early 2000s when Jay came across a Popular Mechanics article discussing emerging ideas in quantum physics and unexplained phenomena.

“It piqued my interest again,” he says.

For Jay, the article did not provide answers. It raised new questions. Could the strange events he witnessed as a child someday be approached through experimentation rather than belief alone? Could technology offer a way to explore experiences that had long existed beyond the reach of conventional measurement?

Those questions would eventually lead him into the growing world of Instrumental TransCommunication, where experimenters were beginning to blend electronics, audio technology, and curiosity in search of something that might lie beyond ordinary perception.

Entering the ITC World: Pioneers and Collaborations

Jay’s plunge into ITC came through the RTSC Yahoo Chat Group, one of the influential online communities in the field during the early 2000s. Long before Facebook groups, podcasts, YouTube channels, and social media connected researchers around the world, communities like RTSC served as gathering places for builders, experimenters, engineers, investigators, and curious minds exploring the possibilities of electronic communication.

For many participants, these groups functioned less like social networks and more like working laboratories. Ideas were debated, schematics were shared, prototypes were tested, and friendships formed around a common pursuit of discovery. Many of the concepts and devices that would later shape modern ITC experimentation were being discussed and developed within these early online communities.

It was there that Jay connected with pioneers such as Frank Sumption, creator of the Frank’s Box, along with researchers including Greg Manchester and others who were helping define what modern ITC experimentation might become.

At the time, one of the field’s most spirited debates centered on analog versus digital scanning. Many experimenters argued that analog technology provided a purer communication pathway, while others believed digital systems offered new possibilities worth exploring. Jay found himself among those willing to challenge established assumptions.

“Unless you’re using a 1960s radio, there’s a digital chip in your box somewhere,” he argued, pushing back against the idea that the distinction was as clear-cut as some believed.

Frank Sumption referred to Jay’s increasingly elaborate creations as “the Swiss Army knife of the paranormal,” a nickname Jay embraced as both a compliment and a challenge. The description fit. Few builders were willing to combine as many ideas, sensors, and experimental approaches into a single platform.

What distinguished Jay during this period was not simply his willingness to build, but his willingness to share. He supplied custom tuners and modified scanners and offered technical assistance to fellow experimenters, contributing to a culture of collaboration that helped drive innovation throughout the community.

That spirit of cooperation would become a defining characteristic of his career. Whether working alongside veteran researchers or collaborating with newer voices in the field, Jay consistently approached ITC as a collective effort rather than a personal competition.

The RTSC era helped establish Jay as more than a device builder. It positioned him within a lineage of experimenters who viewed progress as something achieved through open exchange, practical testing, and a shared willingness to challenge assumptions. Those principles continue to influence his work today, from IDC Devices to the larger ambitions of the Worldgate Project.

The First Ghost Box and a Defining Moment

In 2010, working in a cramped workshop behind base housing, Jay built his first ghost box—a modified radio packed with lights, sensors, and whatever components he could fit inside. Like many of his future creations, it began as a simple experiment driven more by curiosity than expectation.

“I was just messing around,” he admits.

One evening, a neighbor overheard a message that appeared to reference her deceased brother-in-law and an unresolved issue involving his will.

“She said, ‘That’s for me,’” Jay recalls. “That was it. I was hooked.”

Whether coincidence, communication, or something else entirely, the experience left a lasting impression. For Jay, it represented one of those rare moments that refuses to be easily dismissed—a moment that transformed curiosity into commitment.

Soon afterward, IDC Devices began to take shape. What started as personal experimentation evolved into a platform for designing equipment intended not merely to demonstrate phenomena, but to explore them.

That distinction remains important. Jay has never approached his devices as products designed to provide answers. Instead, he views them as tools for asking better questions.

The philosophy would guide everything that followed, from increasingly sophisticated ghost boxes and environmental systems to larger projects that sought to examine not only communication, but the conditions under which unusual experiences seem most likely to occur.

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From Boxes to Spirit Webs: The Photon Obsession

Jay’s creations evolved far beyond tabletop ghost boxes. Over time, his interests expanded into environmental systems, atmospheric interaction, and the possibility that communication might involve more than audio alone.

Projects such as the IDC Indicator, introduced in 2013, and the Spirit Web reflect that evolution. The Spirit Web consists of interconnected filament networks—some stretching more than 33 feet—designed to introduce measurable environmental variables into an experiment. Jay theorizes that changes within these systems may correlate with activity reported by participants, allowing researchers to observe interactions from multiple perspectives rather than relying solely on audio evidence.

At the center of many of Jay’s theories is a fascination with photons and the ways information moves through the physical world.

“Photons carry TV signals, internet data, radio waves,” he says. “Why not voices from the other side?”

Drawing inspiration from the work of Fritz-Albert Popp and concepts found within quantum theory, Jay has spent years exploring whether light, electrical charge, and atmospheric conditions might play a role in anomalous communication. His experiments often incorporate negative ion generators and other environmental variables intended to test aspects of that hypothesis.

Importantly, Jay presents these ideas as ongoing lines of inquiry rather than established conclusions. While no accepted scientific framework currently explains how consciousness or communication might interact with photons in the ways he proposes, he views experimentation as the only path toward discovering whether such relationships exist.

“Until I prove otherwise, the theory stays the same,” he says.

That mindset has led to some of his most ambitious projects. Among them is his exploration of what he calls Direct Applied Voice (DAV), a phenomenon in which voices appear to bypass conventional processing and emerge directly through an audio system. While DAV remains controversial and difficult to study, it reflects Jay’s willingness to investigate reports that fall outside traditional expectations.

His larger experimental systems, including the 2K Lab and various Spirit Web configurations, were built to push those questions further. Rather than focusing solely on capturing voices, they attempt to examine the broader environmental conditions under which unusual experiences and potential communication events may occur.

Whether these theories ultimately prove correct remains an open question. What is clear is that Jay’s work has consistently moved beyond simply asking whether communication is possible and toward exploring the mechanisms that might help explain how it occurs.

The Worldgate Project: Curating Synchronicities

Jay’s vision culminates in the Worldgate Project, his most ambitious undertaking to date. Yet describing Worldgate simply as a conventional ITC experiment would miss the larger picture.

While the project grew out of decades of ITC research, Worldgate is a broader exploration of consciousness, perception, synchronicity, and anomalous experience. Rather than limiting ITC to the traditional search for voices or messages through electronic devices, Worldgate extends that pursuit through sound, frequencies, electronics, environmental instrumentation, and carefully engineered conditions intended to explore whether information or consciousness can move beyond ordinary physical boundaries.

One of the project’s most ambitious undertakings took place at Auglaize Village in August 2025, where I had the opportunity to observe the filming firsthand. Spread across 18 acres of open terrain, the setting presented a very different challenge from earlier indoor experiments at locations such as the Conjuring House and Rolling Hills Asylum. The scale alone required new methods for monitoring participants, environmental conditions, and potential correlations across multiple areas simultaneously.

Worldgate blends a variety of approaches, incorporating EEG monitoring, environmental sensors, audio experimentation, participant interviews, and a wide camera network designed to capture both subjective experiences and objective data points. Influences include Hemi-Sync audio techniques, intentional environmental design, structured protocols, and carefully curated participant experiences.

The objective is not necessarily to produce recognizable spirit communication in the traditional sense.

Instead, the project seeks to create conditions that may encourage unusual experiences and then examine whether notable patterns emerge among the participants, environmental measurements, and recorded data.

“It could be lucid dreaming, out-of-body experiences, or remote viewing—I can’t quantify it,” Jay admits. “Everyone interprets their experience differently.”

What fascinates Jay is not any single event, but the possibility of convergence.

A single dream may mean little. A single anomalous impression may be dismissed. A single environmental anomaly may be explainable. But when multiple participants independently report similar themes while environmental data, timing, audio anomalies, or other observations align, the resulting correlations become increasingly difficult to dismiss.

To organize those observations, Jay developed a five-tier ranking system that evaluates synchronicities based on the number of independent factors involved. The scale ranges from isolated observations to increasingly complex layers of participant reports, environmental measurements, sensory anomalies, and visual events. As more variables align, the events receive greater significance within the project’s framework.

Rather than separating ITC into a conventional voice-communication component, Worldgate incorporates its principles into the larger experimental environment. Sound, frequencies, electronics, and other technologies are used alongside physiological and environmental monitoring to create and document conditions in which unusual states of consciousness or interaction may occur. For Jay, the question has expanded beyond whether a voice can emerge through a device to whether technology itself can help facilitate and observe a broader interface between consciousness and the unknown.

The project remains exploratory by design.

Jay readily acknowledges that Worldgate has produced more questions than answers. What it has generated, however, are notable synchronicities reported by participants working within its structured protocols. Whether those experiences ultimately point toward psychological mechanisms, consciousness-based phenomena, spiritual interaction, or something not yet understood, no one—including Jay—claims to know for certain.

For Jay, that uncertainty is not a flaw in the process—it is the reason for the experiment.

“I need people who bring something to the table,” he says.

To that end, he continues to surround himself with psychologists, researchers, data specialists, technical experts, and volunteers, hoping to build a body of work substantial enough to invite future academic examination.

Whether Worldgate ultimately reveals something extraordinary about consciousness or simply offers new insights into human experience, it grows from a question Jay has been asking since childhood: What happens when we create the conditions for the unexplained and then pay close attention to what follows?

Navigating the ITC Community

Jay is candid about the challenges facing the field.

“It’s hard to get past the noise,” he says, referring not to static or interference, but to the personalities, rivalries, and territorial disputes that sometimes emerge within paranormal research.

“I’m not here to take anyone’s spotlight. I just want to do my work.”

That attitude helps explain why Jay has remained a respected figure across multiple generations of experimenters. While debates over methods, theories, and technology continue to shape the field, he has generally focused his energy on building, testing, and collaborating rather than competing for attention.

His approach reflects the same mindset that has guided him since his rodeo days and electrical career: let the results speak for themselves.

Despite his influence, Jay is often more comfortable behind the scenes than in front of a camera. He prefers to place the focus on the experiments, the participants, and the data rather than on himself.

Of course, that doesn’t mean he takes everything too seriously.

For those familiar with his work, there is also Black Hat—Jay’s AI alter ego and occasional source of mischief.

“If Black Hat says something you don’t like,” Jay jokes, “take it up with him.”

The humor offers a glimpse into a side of Jay that is easy to overlook. Beneath the theories, devices, and ambitious projects is someone who genuinely enjoys the process of exploration. While others may become attached to conclusions, Jay often seems most interested in the experiment itself.

Closing Thoughts

From a haunted Texas childhood to cowboying and bull riding in Marine Corps rodeos, from powering satellite vans in wartime to hacking radios and building Spirit Webs across haunted spaces, Jay W. Prather bridges ITC’s past and future.

He carries forward the restless experimentation of pioneers like Frank Sumption while continuing to collaborate with researchers across multiple generations—from Greg Manchester and Ron Yacovetti to Austin Maynard and countless others pursuing their own questions about communication, consciousness, and anomalous experience.

His journey has never followed a straight line. It has moved through haunted houses, ranches, military bases, electrical systems, ghost boxes, environmental experiments, and now large-scale consciousness projects that seek to understand not only communication, but the conditions under which unusual experiences seem to occur.

Worldgate, with its expansive protocols and emphasis on synchronicity, may represent the broadest expression of that pursuit so far. Yet it remains part of a much longer story—one driven less by certainty than by curiosity.

What ties these chapters together is not any single device, theory, or experiment, but the mindset behind them. The same cowboy who learned to climb back on a bull after being thrown, the Marine who learned to troubleshoot systems under pressure, and the master electrician who spent a career understanding energy and circuitry can still be seen in the researcher Jay has become.

Faced with a mystery, his instinct is rarely to sit back and speculate. He builds something. He tests it. He refines it. Then he tests it again.

Where his theories ultimately lead remains an open question. What cannot be denied is his willingness to keep asking the questions.

In a field often divided by certainty, that commitment to experimentation may be one of Jay W. Prather’s most enduring contributions.

“I want the work front and center,” Jay says, cowboy hat tilted as he poses beside one of his creations. “My devices and whatever’s interacting with them—that’s the star.”

For a man who has spent his life wiring buildings, repairing generators, riding bulls, and chasing anomalies, it may be the most fitting answer possible.

Editorial Note

This profile is based primarily on interviews and conversations with Jay W. Prather, including an interview conducted during the August 2025 Worldgate Project filming at Auglaize Village in Defiance, Ohio, supplemented by historical and contextual sources where appropriate.

Works Cited

Monroe Institute. “Hemi-Sync & Its Benefits for Mind Exploration.” The Monroe Institute, 30 Aug. 2023. Accessed 6 Sept. 2025.

O’Neill, Ryan. “Frank’s Box: Exploring the Legacy and Philosophy of ITC Pioneer Frank Sumption.” Scottish Paranormal, 9 Sept. 2024. Accessed 6 Sept. 2025.

Popp, Fritz-Albert. Biophotonen: Neue Horizonte in der Medizin: Von den Grundlagen zur Biophotonik. 3rd rev. and expanded ed., Karl F. Haug Verlag, 2013.

Visit Defiance Ohio. “Auglaize Village.” Visit Defiance Ohio. Accessed 17 Aug. 2026.

By M. D. Jackson

In the captivating realm of Instrumental Trans-Communication (ITC), few individuals shine as brightly as Anabela Cardoso. A philologist by training and a career diplomat, Cardoso’s journey into ITC experimentation began unexpectedly, spurred by results that were both intriguing and compelling. These positive outcomes prompted her to leave her professional career behind and dedicate herself fully to this fascinating field of research—a transition that reflects a universal quest to bridge the gap between the known and the unknown. As the founder and editor of the ITC Journal, she has authored numerous articles and delivered presentations on ITC across the globe. At a time when ITC is evolving rapidly, Cardoso’s work stands as a testament to the enduring power of patient, methodical exploration. Her distinct approach to exploring the connections between the living and the deceased has driven her lifelong commitment to understanding Electronic Voice Phenomena (EVP) and Direct Radio Voice (DRV). Through her extensive research and personal experiences, she seeks to illuminate the mysteries that lie beyond our physical reality. Engaging in hundreds of conversations with communicators identifying as her deceased relatives and other unfamiliar entities, she asserts her ability to connect with voices from a dimension that transcends time.

Her communicators convey a profound message: All forms of life, not just human, continue to exist after physical death—a principle she refers to as Natural Law. They emphasize the importance of expanding human consciousness as a central aim in their attempts to reach out to our dimension. Cardoso’s findings resonate with those of other ITC researchers, highlighting intriguing parallels in their experiences. Despite the challenges inherent in this line of inquiry, Dr. Cardoso believes that this path of exploration is accessible to anyone who possesses a genuine interest in the methodology and is willing to engage in the patient experimentation it demands. For this ITC Voice feature, I chose to adopt an interview format to capture her insights. Just as she served as a diplomat, I view her as a vital ambassador for ITC. Therefore, it felt essential to pen her words as we delve into her background, methods, and profound insights gained throughout her journey in ITC.

Background and Inspiration

ITCV: Anabela, can you share a bit about your background? What sparked your interest in exploring ITC?

Cardoso: My journey began with a natural curiosity about the truth behind the afterlife. However, it was the mourning for my loved ones that truly propelled me into the realm of EVP. I wanted to find a way to connect with them once more.

ITCV: Did you have any mentors guiding you along the way?

Cardoso: I didn’t have a formal mentor. I started this journey with a couple of friends who shared my interest, but we were all learning together.

ITCV: Can you recall your first significant experience with ITC or DRV?

Cardoso: I remember it vividly! My first DRV experience occurred on March 11, 1998. I felt profound emotions, and I've detailed those incredible feelings in several of my books, particularly in Electronic Voices, Contact with Another Dimension?* (2010).

Methodology

ITCV: Could you explain the basic principles behind Direct Radio Voice (DRV) and how it differs from other ITC methods?

Cardoso: DRV doesn’t adhere to strict principles. Instead, it requires experimentation, similar to EVP, with the hope that DRVs will emerge. We use radios as acoustic support, and the voices, which we hear directly, come from the loudspeakers of the radios. It’s crucial to avoid frequencies that transmit regular broadcasts; otherwise, we might misinterpret normal transmissions as anomalous voices.

ITCV: What’s your typical setup for a DRV session? Do you have any preferred equipment?

Cardoso: I typically use four or five powerful shortwave radios, tuned to different frequencies specifically reserved for the Spanish State, as I currently reside in Spain.

ITCV: How do you ensure the voices and messages received during DRV sessions are authentic?

Cardoso: The voices often call me by name, identifying themselves as my deceased relatives or even my dogs. They clearly state, We are the dead, or We speak from another dimension, which strongly validates their identities.

Research and Findings

ITCV: Who do you believe we are communicating with? What are some memorable messages you’ve received through DRV?

Cardoso: I firmly believe we are communicating with the deceased. One of the most touching messages came from my dog, Nisha, who engaged in a heartfelt dialogue with me.

ITCV: Have you noticed any patterns in the communications you’ve documented?

Cardoso: Absolutely. The DRV responses address nearly all aspects of human existence—life, death, and the conditions of their world. I've explored these themes extensively in my books, including Electronic Voices* and Glimpses of Another World, Impressions* and Reflections of an EVP Operator*. A significant feature is their insistence on identifying as we, often using phrases like We are all fused!

ITCV: How do you analyze the messages? Does this help you distinguish genuine communication from potential interference?

Cardoso: Given the reserved frequencies I use, there’s no risk of radio interference in my messages. The voices clearly articulate personal details, such as my name and family members' names. While I've done some analysis, I found it largely unnecessary, as my circumstances provide a strong foundation for authenticity. Additionally, my report, A Two-Year Investigation of the Allegedly Anomalous Electronic Voices or EVP*, published in NeuroQuantology*, includes various voice analyses.

Challenges and Skepticism

ITCV: What are some challenges you face during DRV sessions?

Cardoso: The biggest challenge is the uncertainty of whether the voices will appear during any session.

ITCV: How do you cope with skepticism or criticism from the scientific community regarding ITC?

Cardoso: I choose to ignore it for the most part. My comprehensive report was published in a peer-reviewed journal, which I believe should be sufficient validation. However, it seems that isn't always the case.

ITCV: Have you collaborated with scientists or researchers to study the phenomena you’ve recorded? What were the outcomes?

Cardozo: My report was supervised by scientists and high-level acoustic technicians. Notably, Professor Ernst Senkowski, a prominent figure in ITC, has been aware of my work and has followed it for many years.

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Personal Insights and Reflections

ITCV: How has your work with DRV and ITC shaped your views on life, death, and the afterlife?

Cardoso: My involvement in ITC has convinced me that all life continues in another dimension beyond time, as the voices have expressed.

ITCV: Have any experiences or communications had a transformative impact on you?

Cardoso: Each experience has been transformative. I was agnostic for most of my life, but my worldview shifted as my communicators began answering my existential questions. I discovered parallels in experiences shared by other reputable ITC operators, reinforcing similar values. I now believe in an impersonal, nameless God and that life carries significant meaning and purpose, often intertwined with suffering, which is essential for spiritual growth.

ITCV: Has your work in ITC ever led to personal or professional conflicts?

Cardoso: Yes, particularly in my role as a diplomat, where everyone at the Portuguese Ministry of Foreign Affairs did not receive my claims of communicating with the dead well. While I faced some mockery and skepticism, nothing too dramatic occurred.

ITCV: How do you prepare yourself for a session?

Cardoso: I don’t have a specific routine, but I try to maintain emotional calmness, as my communicators have indicated that being upset can disrupt the flow of communication.

ITCV: What advice would you give someone just starting with ITC or DRV experiments?

Cardoso: Take it easy, but take it very seriously! Embrace your ITC experiments and trust that positive results can happen. Above all, never give up!

Future Directions

ITCV: What are your plans or goals for your research in ITC?

Cardoso: Currently, I don’t have specific plans. I continue my ITC work, focusing on digitizing recordings I couldn't manage during more active experimentation phases. I also have to write articles, respond to interview requests, and manage correspondence from those seeking advice.

ITCV: How do you envision the field of ITC evolving over the next decade?

Cardoso: It's challenging to predict. With the rise of AI, we need serious and reliable ITC and EVP operators. If AI becomes involved, we may face challenges regarding the veracity of public presentations, which we must avoid.

ITCV: Do you have any upcoming projects or publications you'd like to share with our readers?

Cardoso: I don’t have concrete plans at the moment.

Community and Collaboration

ITCV: How important is collaboration in the ITC research community?

Cardoso: Collaboration is vital. We should strive to avoid unjustly defaming our colleagues and instead focus on reporting false recordings or pareidolic images that circulate online. Truth should guide our efforts.

ITCV: What role do platforms such as ITCVoices.org or Varanormal.com play in advancing ITC research?

Cardoso: If they adhere to the principles of honesty and integrity, these platforms can significantly help unite ITC operators and enthusiasts, guiding them on the right path.

Conclusion

Anabela Cardoso’s unwavering dedication to Instrumental Trans-Communication has not only enriched our understanding of the afterlife but has also profoundly transformed her personal worldview. If her findings were to gain broader acceptance, they could fundamentally alter our understanding of consciousness, challenging the boundaries of what we consider possible within both scientific and spiritual realms. Through her extensive research and compelling experiences, she inspires both seasoned researchers and newcomers alike to delve deeper into the mysteries of existence. As she continues her journey, we eagerly anticipate the insights and revelations that will emerge from her ongoing work in ITC.

What does it mean for us if communication with the deceased is possible? How might our understanding of life, death, and consciousness shift if we embrace the findings of ITC? As we ponder these questions, we invite you to explore the intricacies of this fascinating field. Engage with Cardoso’s extensive writings, consider your own beliefs about the afterlife, and join the conversation. In doing so, you, too, may uncover new dimensions of understanding that challenge the boundaries of our reality.

Bibliography:

- Cardoso, A. (2010). *Electronic Voices, Contact with Another Dimension?* O’Books/John Hunt Publishing, Ltd. UK: Ropley, Hants.

- Cardoso, A. (2012). *A Two-Year Investigation of the Allegedly Anomalous Electronic Voices or EVP.* NeuroQuantology, September 2012, Volume 10, Issue 3, pp. 492-514.

- Cardoso, A. (2017). *Electronic Contact with the Dead, What Do the Voices Tell Us?* White Crow Books. UK: Hove.

- Cardoso, A. (2021). *Glimpses of Another World, Impressions and Reflections of an EVP Operator.* White Crow Books. UK: Hove.

- Cardoso, A. (2023). *Friedel’s Conversations with the Dead, the Fascinating Story of Friedrich Jürgenson, Pioneer of EVP.* White Crow Books. UK: Hove.

Editor/Director of ITC Journal, numerous articles from issues 1 to 54-55: [www.itcjournal.org](http://www.itcjournal.org)

Academia.edu (numerous articles): [https://independent.academia.edu/AnabelaCardoso3]

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References:

- Cardoso, Anabela. *Electronic Voices, Contact with Another Dimension?* O’ Books/John Hunt Publishing, 2010.

- Cardoso, Anabela. "A Two-Year Investigation of the Allegedly Anomalous Electronic Voices or EVP." *NeuroQuantology*, vol. 10, no. 3, 2012, pp. 492-514.

- Cardoso, Anabela. *Electronic Contact with the Dead, What Do the Voices Tell Us?* White Crow Books, 2017.

- Cardoso, Anabela. *Glimpses of Another World, Impressions and Reflections of an EVP Operator.* White Crow Books, 2021.

- Cardoso, Anabela. *Friedel’s Conversations with the Dead, the Fascinating Story of Friedrich Jürgenson, Pioneer of EVP.* White Crow Books, 2023.

- Locher, T., and Harsch, M. *Les Contacts vers l’Au-delà à l’aide de moyens techniques existent!* Association Suisse de Parapsychologie, 1989.

- Senkowski, Ernst. *Instrumentelle TransKommunikation.* R. G. Fischer Verlag, 1995.

- Cardoso, Anabela. "An Interview with Anabela Cardoso: Anomalous Electronic Voices Received via Instrumental Transcommunication." Wright, Sylvia Hart.  NeuroQuantology; Bornova Izmir Vol. 10, Iss. 3,  (2012). DOI:10.14704/nq.2012.10.3.595 ProQuest, https://www.proquest.com/docview/1724483429?sourcetype=Scholarly%20Journals.

For further insights into Anabela Cardoso's work, visit her profiles on [ITC Journal](http://www.itcjournal.org) and [Academia.edu](https://independent.academia.edu/AnabelaCardoso3).

By M. D. Jackson

Few people have made such a remarkable impact on instrumental trans-communication (ITC) in modern times as Ron Yacovetti. Ron possesses an unquenchable desire to explore the implications of the anomalous voices that have captivated humanity for centuries. These voices, echoed through shamanistic rituals, spiritual mediumship, and contemporary electronic methods, have led us back to our collective drawing boards to rethink the very essence of our existence. But Ron has something extra—perhaps a cultivated gift or a natural-born talent. He is an inspirational leader and an engaging speaker, known for his deft logic, kindness, and comedic prowess, which have endeared him to the ITC community. It is my pleasure to introduce to you the ITC voice of Ron Yacovetti.

Early Beginnings: The Spark of Interest

Ron Yacovetti’s journey into the world of the paranormal began in 2012 as a rookie investigator at the Glen Tavern Inn in Santa Paula, CA. Working alongside Debbie Constantino (RIP) and Chad Lindberg, Ron experienced a pivotal moment during a Spirit Box SB7 session. Among over thirty participants, the SB7 responded with "I know Chad" twenty seconds after Chad introduced himself. This instance of real-time contact solidified Ron’s fascination with ITC.

Ron soon acquired his first Spirit Box SB7, marking the beginning of his equipment collection. He frequently assisted investigations at the Oman House, infamous for its connection to the Manson/Tate murders. Here, his spirit box became a focal point, with homeowner David Oman encouraging investigation participants to follow Ron with it.

The Evolution of Equipment and Connections

In 2017, Ron’s journey took a significant turn when Gerard Mackie, his son’s stepfather, built him a portal box using a wooden guitar amplifier amidst the Huff Portal revolution in ITC. Over the years, Ron expanded his collection, acquiring ghost boxes from notable builders like Steve and Katie Hultay, Austin Maynard, and Jay Prather.

During his research, Ron discovered the works of Dr. Anabela Cardoso. Her writings, academic papers, and ITC journals profoundly influenced him, and they eventually became friends. Cardoso endorsed Ron’s first book and contributed to his docuseries Knowingly Talking to the Unknown. This endorsement was significant, as Cardoso had direct experience with pioneers of ITC like Jürgensen, Raudive, Bacci, Fontana, Foy, the Harsch-Fischbachs, and Ernst Senkowski—who coined the term ITC (TCI in Europe).

The Quest for Direct Radio Voice (DRV)

In early 2019, Ron and Lourdes Gonzalez embarked on replicating DRV results seen in the works of Cardoso, Bacci, and the Harsch-Fischbachs. They started with a Grundig world band radio and began experimenting with pure DRV. This led to an introduction to Keith J. Clark of varanormal.com, who was using software for live filtration—a technique Ron incorporated into his DRV sessions.

The DRV research continued behind closed doors for three years, focusing on replicating the results of pioneers. During the COVID-19 pandemic, Ron and Lourdes blended UHF, VHF, tone generators, and radios tuned to vacant LW, MW, and SW bands using a mixing board. This experimentation led to significant breakthroughs in ITC vocals, resulting in clearer and more coherent messages.

From DRV to Staticom: Breakthrough Moments

In 2021, Ron and Lourdes partnered with Tony and Cherie Rathman of EVPI. Tony, a seasoned ghost box builder, developed ITC devices solely for research purposes, making him an ideal collaborator. During a private investigation in Vernon, NJ, Ron captured a significant DRV response, hearing what he believed to be a message from his mother, which he later verified through slowed playback. This discovery paralleled the great Konstantin Raudive’s findings on EVP.

This research led to the evolution of DRV into what is now known worldwide as Staticom. Two major breakthroughs underscored this transition:

1. Conducting DRV sessions in an abandoned zinc mine in New Jersey, devoid of radio signals, yet successfully capturing DRV voices.

2. Tony Rathman’s implementation of a sleep machine as a white noise source during a live audience session at a Paracon in AZ, further validating that RF or carrier wave reception isn't necessary for ITC.

The removal of the radio from DRV sessions led to the development of using pure white noise, now known worldwide as Staticom. Staticom addressed skepticism that ITC responses were merely from radio broadcasts, highlighting the role of stochastic resonance in facilitating spirit voices.

Public Engagement and Legacy

On March 4, 2022, Ron and Lourdes held their first public event under TDSi: The Digital Seance Initiative. This live event allowed the public to experience DRV/Staticom in a group setting, promoting collective focus akin to Victorian seances. The positive impact was evident, with many attendees finding closure and solace from their experiences.

Literary Contributions and Streaming Series

Ron’s contributions to ITC literature include:

* Paranormally Speaking: Knowingly Talking to the Unknown (3/14/2022)

* ITC Technomancy: The Magical World of Spirit Communication (7/10/2022)

* TDSi: The Digital Seance Initiative (2/22/2023)

* Paranormalization: Memoirs of an Academic Layperson (10/10/2023)

* The aforementioned docuseries Knowingly Talking to the Unknown is available on ParaFlixx. (3/14/2022)

Conclusion

Ron Yacovetti’s journey through ITC reflects a dedication to advancing the field through rigorous research, innovative methodologies, and a commitment to public engagement. His work, influenced by pioneers and enhanced by modern technology, continues to push the boundaries of what is possible in communicating with the unknown. Ron is an exemplary leader, visionary, and mentor in the ITC community.

— M.D.Jackson, Obscura Vox ITC

References:

1. Breakthrough: An Amazing Experiment in Electronic Communication With the Dead Breakthrough: An Amazing Experiment in Electronic Communication With the Dead Konstantin Raudive | Amazon, Sep 21, 2021

2. Paranormalization: Memoirs of an Academic LaypersonYacovetti, Ron. Paranormalization: Memoirs of an Academic Layperson. Beyond The Fray Publishing, 2023

3. Researching the Paranormal | Interview with Ron Yacovetti Pellicer, M.P. "Researching the Paranormal | Interview with Ron Yacovetti." Spreaker, January 23, 2024.

4. Paranormally Speaking: Knowingly Talking to the Unknown Yacovetti, Ron. Paranormally Speaking: Knowingly Talking to the Unknown. Amazon, 2022.

5. Let’s Get Freaky Podcast: #Ep124 STATICOM with Ron Yacovetti & Lourdes Gonzalez. "Ep124 STATICOM with Ron Yacovetti & Lourdes Gonzalez." YouTube, January 15, 2023.

6.Staticom Project: YouTube Channel

For more detailed information and updates, please visit Ron’s website

7. GonYac Paranormal

Share ITC Voices

By M. D. Jackson

Bruce Halliday stands out as a distinguished figure in the realm of paranormal research. He boasts over twenty years of pioneering contributions, especially in advancing live spirit/ghost box communication. Initiated into the world of Instrumental Trans-Communication (ITC) research and exploration in the early 2000s, Halliday initially focused on refining traditional EVP (Electronic Voice Phenomenon) techniques.

The trajectory of his career experienced a pivotal shift following the invention of the first ghost boxes by Frank Sumption. In recognition of Halliday's unwavering commitment, Sumption presented him with two of his original ghost boxes, laying the foundation for a deep-rooted friendship and collaborative venture that would leave an indelible mark on the discipline. Halliday has since been lauded for formulating various influential theories and methods that are now widely embraced in live spirit ghost box communication. His ingenuity is also showcased through the invention of two notable hack ghost boxes, the Radio Shack 12-470 and the Jensen SAB-55.

As an author, Halliday has enriched the field with two remarkable publications: When Spirits Speak: Live Spirit Ghost Box Communication, an exhaustive guide delving into the subject and chronicling his extensive journey, and What If The Spirits Could Have Spoken, presenting a captivating exploration of how the use of ghost boxes might have altered the outcomes of famed paranormal investigations, such as those at the Amityville and Conjuring sites.

Beyond his literary contributions, Halliday is a prolific writer of articles that delve into ghost box communication theories. He has also made several appearances on radio shows and podcasts, maintaining a robust digital footprint through his personal Facebook page, the Facebook group Live Spirit Ghost Box Communication Sharing & Education, and his Halliday Paranormal YouTube channel, all of which serve as platforms to display his research and experiments.

— M. D. Jackson, Obscura Vox ITC

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References:

"Bruce Halliday | Higgypop Paranormal." Higgypop, https://www.higgypop.com/results/?query=bruce+halliday+. Accessed 16 Mar. 2024.

"Bruce Halliday Live Spirit/Ghost Box Researcher - Introduce Yourself." VARANORMAL.COM, 14 Oct. 2020, https://www.varanormal.com/forums/topic/122-bruce-halliday-live-spiritghost-box-researcher/#comment-380. Accessed 16 Mar. 2024.

"Ghost Box: Origin Story, A Conversation with Bruce Halliday - Haunted Places & Paranormal Experiences." The Grave Talks Podcast, https://www.thegravetalks.com/ghost-box-origin-story-a-conversation-with-bruce-halliday. Accessed 16 Mar. 2024.

By M. D. Jackson

In the world of Instrumental Trans Communication (ITC), Greg Manchester stands out as a pioneer. His work with ghost boxes showcases a blend of innovation and a pursuit of understanding the unknown.

The Genesis: Coby CX-96 and the Manchester Era

In 2012, Manchester began his ITC journey with the Coby CX-96 Armband Radio Hack, a device that provided another avenue for ITC enthusiasts to explore the mysteries of our reality.

The White Box Revolution

In August 2013, Manchester revolutionized ITC with “The White Box” (Version 1.0). This device wasn’t merely an instrument but a breakthrough in portable ITC performance, thanks to its “Green Sweep Circuit Design.” It delivered unmatched audio clarity and smooth scanning, enhancing ITC sessions significantly. Its adjustable sweep speed and reception tuning quickly made it popular among both amateurs and researchers.

Despite its success, Manchester continued to take new measures, discontinuing The White Box Version 1.0 to further refine the technology.

The Pinnacle: The White Box Version 2.0

The release of The White Box Version 2.0 on June 29, 2015, introduced the “Red Sweep Circuit Design,” marking another advance with smoother scanning and more efficient performance. Despite minor differences in resistance from its predecessor, the improvements made it highly desirable in the ITC community.

Unexpectedly, Manchester ceased production of this version after a limited run, making Version 2.0 units rare and highly valued.

Collaborations and Horizons

Manchester’s impact goes beyond his devices. He collaborated on projects like the Infinity Box with Martin Bellefeuille of eXtremeSenses, demonstrating his commitment to advancing ITC technologies. His active engagement on platforms like YouTube and TikTok showcases his work and offers insights into electronics, reaching a wider audience.

Legacy and Impact

Manchester’s legacy in ITC is defined by his transformative spirit and dedication to improving communication with the unknown. “The White Box” set a standard in the field, inspiring further exploration and innovation to builders and experimenters alike.

Through his work, Manchester built bridges between our world and the unknown, lighting the way for future exploration in ITC. His contributions continue to serve as beacons for those venturing into the mysteries of ITC.

— M. D. Jackson, Obscura Vox ITC

Greg Manchester Technical Information and Photographs

2012: Coby CX-96 Armband Radio Hack with fixed reverse AM and FM bandwidth scan.

August 2013- May 2015: The White Box (Version 1.0)

• Velleman FM Receiver

• Forward, Speed-Adjustable Linear Sweep

• Full Range 1” Driver housed in a Custom Enclosure

Greg Manchester is the creator of The White Box, a compact radio-based ITC instrument designed to bring new levels of quality, clarity, and consistency to the ghost box operator. The White Box boasts incredible audio clarity and sweep circuit performance, greatly excelling at providing the operator with a pleasant listening experience during ITC sessions. With the ability to alter tuning to dial in the best reception in a given area, The White Box makes an equally strong showing as an ITC research tool at home or on location.

June 29, 2015: The White Box (Version 2.0 Prototype - Red Sweep Circuit Design): The first and last of its kind.

• Velleman FM Receiver

• Forward, Speed-Adjustable Linear Sweep

• Full Range 1” Driver housed in a Custom Enclosure

This particular model is slightly different from its Version 1.0 predecessors, as it incorporates a new sweep circuit and relocated power switch. Although there is only a 1. 2k difference in resistance from the green sweep circuit (used in The White Box version 1.0) to the red sweep circuit (used in The White Box version 2.0 Prototype), the red sweep circuit has a better design and offers more efficient, smoother scanning performance for the ITC operator.

Greg decided to discontinue The White Box Version 2.0 after building only a few units, some in white or orange enclosures. This particular prototype model may be the last White Box prototype to be manufactured, and it is the only one with the “red” sweep circuit design.

— Joshua Sean, Zero-G ITC

References:

1. “LIVE ITC Group Experimentation | The White Box.” YouTube, uploaded by Zero-G ITC: https://www.youtube.com/live/jCpgfuqET4E?si=0cYC48O5QH0Evk6q

2. “Infinity Box.” eXtremeSenses, http://www.extremesenses.com/software/infinityboxpacks.htm

3. “The White Box test built by Greg Manchester.” YouTube, uploaded by Steve Hultay: https://youtube.com/shorts/5MsdcquAcDY?si=84CV5LKrJLrVBnbc

4. Greg Manchester’s TikTok profile, https://www.tiktok.com/@greg.manchester.

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By M. D. Jackson

Early Beginnings and Founding of eXtremeSenses Software

Martin Bellefeuille’s contributions to Instrumental Trans-Communication (ITC) are expansive. As the founder of eXtremeSenses Software in 2011, Bellefeuille spearheaded the development of software-based ITC, introducing notable applications like Phasmabox, Spirit Radio and Quantum Box. His journey in this realm began around 2009 as a Windows application developer and a Quality Assurance manager, coupled with a deep-seated passion for the paranormal.

Initial ITC Developments

Bellefeuille’s initial foray into ITC started with the creation of XParanormal Detector, a personal project he shared with a small group of ghost hunters. This application evolved significantly and was publicly released in 2011, marking the beginning of Bellefeuille’s indelible impact on the ITC community.

Innovative Software and Early Successes

His innovative approach led to the development of VR-Ghostbox in 2014, emulating the functionalities of the PSB-7 in a Windows application. That same year, he released Phasma Communicator and XParanormal Spirit Radio. Bellefeuille recalled the now-discontinued XParanormal Spirit Radio as “the first application on the market that used real internet radio as the source of communication with the spirits of the dead — which proved very popular in the ITC community.”

Advancements in ITC Technologies

In the following years, Bellefeuille relentlessly pursued the advancement of ITC technologies. In 2015, he released Phasmabox Premium, which, to his delight, “is still the #1 Windows application for spirit communication.” Phasmabox Premium gained prominence when featured in ghost-hunting TV shows such as “Paranormal Lockdown“ and “Ghost Brothers.” Collaborations with other ITC pioneers like Greg Manchester led to the creation of Infinity Box GBX, followed by a variant, Infinity Box EXP, and later, a Reux version in 2019 with more advanced features that allowed users to choose sound banks and offered complete customizability. In 2016, he collaborated with Anthony Mark to release the free Afterlight Box, further enriching the ITC software landscape.

Recent Innovations and Software Launches

2017 was a remarkable year marked by the launch of Quantum Box, which offered unique features such as virtual effects pedals and the flexibility to use custom sound banks. The year also saw the introduction of Phasmabox Otium, the second iteration of Phasmabox Premium.

In 2018, Bellefeuille introduced Armania, focusing on the emotional aspects of spirit communication. This software enabled spirits to express themselves through various means, including ghost box components and internal facial pictures expressing emotions.

Emerging Technologies in ITC

The innovation continued with the release of the Elysian ITC Application in 2020, the Spectral-X Paranormal app in 2021, and the Scryer ITC Application in 2022. These applications introduced new dimensions to ITC, from simplified session processes to novel methods of expressing themselves with sound banks and visually through spectral view displays (spectrogram), AI liquid display, and smoke simulation. These applications, based on the theory that a ghost or spirit is an intelligent energy capable of influencing the electronics of a computer, allow the intelligent energy to interact with the readouts and communicate through the applications. These concepts, combined with traditional spirit box features, exemplify Bellefeuille’s innovations in electronic gadget communication.

Also in 2020, Bellefeuille donated a software program titled Spektrocom to METAscience Foundation for the benefit of paranormal and ITC experimenters around the world, showing once again his willingness to further the ITC field through collaboration and cooperation.

A Milestone with Angelux Redux

2023 marked another milestone for eXtremeSenses with the release of Angelux Redux, the revamped version of the original Angelus ITC Application (2017). This first video ITC software for Windows, featuring video sweeping, represented a visionary step in visual spirit communication software.

Martin Bellefeuille: A Beacon in ITC Research

Throughout his career, Bellefeuille has continuously pursued technological advancement in ITC. His contributions are significant not only in terms of technical innovation but also in broadening the understanding of paranormal phenomena. Beyond being an ITC software developer, occasionally he ventures out as a paranormal investigator to some renowned Canadian haunted sites, such as Fairmont Château Laurier and the Bytown Museum. Bellefeuille believes these experiences contribute to the continuous evolution of ITC and his endeavors to bridge technology and the ethereal in the pursuit of meaningful spirit communication. Bellefeuille’s work serves as a beacon for future ITC researchers and enthusiasts, encouraging further exploration in this intriguing and ever-evolving field.

— M. D. Jackson

Further Information and References

For further reference, visit the eXtremeSenses Software website: http://www.extremesenses.com/software/. This site offers detailed information about the various applications and technologies developed by Bellefeuille.

References:

• “Live Paranormal Experience Radio- Guest Martin from ExtremeSenses.com.” BlogTalkRadio. 6 July 2015, https://www.blogtalkradio.com/liveparanormal/2015/07/06/live-paranormal-experience-radio-guest-martin-from-extremesensescom. This podcast features an in-depth interview with Martin Bellefeuille, offering personal insights into his work and the development of ITC software.

• Clark, Keith J. “Spektrocom-FREE Paranormal ITC Software by eXtremeSenses Software.” iDigitalMedium, 14 August 2020, https://idigitalmedium.com/tag/martin-bellefeuille/. This article by Keith J. Clark delves into Bellefeuille’s Spektrocom software, showcasing its impact on visual ITC experiments.

• “Ghost Radio with Allen and Mike.” BlogTalkRadio. 7 January 2012, https://www.blogtalkradio.com/ghost-radio/2012/01/07/ghost-radio-with-allen-mike. In this podcast, Bellefeuille discusses the creation and features of “XParanormal Detector” software, providing context to his early work in the field.

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